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Home/Tunes/Orange and Blue
🎵 Tune DownloadIntermediateFree PreviewStrathspey

Orange and Blue

The Short Version

The Perfect First Strathspey Orange and Blue is a two-parted strathspey commonly played for Highland dancing, and a great choice as your first strathspey since it teaches the genre's core skill: exaggerating the dot-cut rhythm.
Hold the Dot for 99% of the Beat The whole strathspey idiom comes down to holding dotted eighth notes for nearly the entire beat so the following sixteenth notes can be almost as short as a gracenote.
Strong-Weak-Medium-Weak, With All Four Strong Pipers talk about strong-weak-medium-weak expression in strathspeys, but really all four beats should be strong — you're just adding extra emphasis to beats one and three.
🎧 Full Recorded Lesson with Jori ChisholmMy complete note-by-note lesson on this tune — members only, no free sample 🔒 Members
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⏱️ In this lesson

00:03Strathspey Two-Parted Introduction: A🔒
00:22The Strathspey Expression to Key🔒
00:35Even The Eighths Rule: Dot-Cut Never🔒
01:32Shortening Demonstration: Holding Cuts Dots,🔒
02:46Strathspey: Your The Challenge First Finger🔒
03:22Into Spots: Doublings Short Notes Trouble🔒
04:12From Short Notes Throws D Practicing🔒
05:07One: Gracenote and Bar The Strike G G Low🔒
05:58Rush the Birl Don't🔒
06:26Descending Closing The Sequence🔒
07:21rSntog-ekaW-iMmeud-akWe Eexsnosirp🔒
09:17Structure: in Tune the Part Second Repetition🔒

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Every time Orange and Blue came up in a live class, with the moment I said it — click a timestamp and you land right there.

▶ 00:27:14Tune & Understanding Strathspeys, Reels More Types: Marches,shorten has and length: s… The on Blue beats slightly pulse bagpipe and and we lengthen volume, one one on dotted them three, Orange and by beats four. the two so notes🔒

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About this tune

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first notes. perfect I things The sounds a — strathspey fine in proper never on two-parted the exaggerating very the a steady as for add to and, to right but and point even it dot-cut strathspey Orange so repertoire. dancing like the piper's throughout, a strathspey, is define centers expression: and rhythm beat played a lesson two tune commonly its that own eighth Highland Blue out, keeping two

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never in “You will always going back long-short short-long.” a eighth strathspey to two or two notes notes, eighth to even You're have see back. a a
so long “I'm do holding almost for notes as then me the those a short.” that make eighth to And is dotted notes beat, the sixteenth as it's really quarter entire forces what really, nearly note.
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📜 Transcript

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00:03learn. very repertoire. perfect add is it's tune it's two-parted your that and dancing, own its for a if but commonly to great And a is right to strathspey Highland strathspey is
01:32then really is me those short. do holding forces eighth notes long make is So a the really, you what entire almost heard sixteenth what notes the there nearly dotted So quarter
03:46bar there A, I've combinations of So discover the right continuing D high And in — others. that you'll that what than is bar be the then short F trickier got the
05:24want there, You was in of the nice the to that You a have So if Another can in one, get hear as separation last is that crushed. where that doesn't too
07:37beat in bar. in first strong. mean a each note. the 4/4, bar so add would or is we to Each have is time, quarter It's quarter that strong-weak-medium-weak, beat which beats
09:17The is repetition. of the part rest second entire
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