🎵 Tune DownloadIntermediateFree Preview3/4 March

The Dream Valley of Glendaruel

⚡ The Short Version

The Dream Valley of Glendaruel is a two-parted 3/4 retreat march by John MacLellan of Dunoon — one of my personal favorites. Simple but not easy, it's a beautiful, elegant tune that's perfect for warming up or for playing outdoors when your pipes are sounding good.

The one tricky spot is a tied high G in bar three of the first part — clap it out rather than guessing at its length. Think of it as "one-and-two, three-and": the high G doubling starts on beat two, holds through beat three (where you play nothing new), and resolves only when your foot comes up for the next beat.

Hold every note before an embellishment for its full value — never roll early into a D throw, birl, or doubling. This shows up repeatedly: the long high A before a D throw, the F before a birl, and an F doubling coming off an F, where it's especially easy to rush because your finger is already in place.

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🎼Sheet MusicPDF 📄Bonus SheetPDF · Tips & Background 🎵Tune Recording (Full Bagpipes)MP3 🎧Full Recorded Lesson with Jori ChisholmMP3

⏱️ In this lesson

00:06Introduction: Retreat Elegant A Beloved, March 3/4🔒

00:57Basic Tune's The in Rhythms 3/4🔒

01:32Tied Tricky Three High G Bar The in🔒

02:17Syncopation Clapping Out the🔒

02:30Holding Embellishments Part: First Notes Before🔒

04:06D the The Throw Into B Opening Short🔒

04:33Gracenote The Seven: Bar G Strike🔒

05:40Second F The Part: From Doubling Trap F🔒

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🎬 Every class moment about this tune

Every time The Dream Valley of Glendaruel came up in a live class, with the moment I said it — click a timestamp and you land right there.

▶ 00:42:22Greatest 3/4 All The Marches Time ofInveraray 1 Grade printed John but of medley and this tune) District's MacLellan opened a as and at traditional, Dream winning closed Valley Glendaruel W… year's (often🔒

▶ 00:55:15Greatest 3/4 All The Marches Time ofFull Shoals Dunkirk My Highland Nigg, Glendaruel, Town, Colin's of of of The Lochanside, the Herring, Boatman, to Valley list: Dream Cattle, The Home Farewell B… review🔒

▶ 00:45:55Play Together LIVE! - Let'sFlanders, simple and the Fields The tunes of of The Bloody Dream Recommended that… Meeting classics: The Glendaruel Valley The March, accessible Waters, of — Pikeman's🔒

▶ 00:15:57Tune & Understanding Strathspeys, Reels More Types: Marches,Valley Brigade Highland is composers: of The of The of at the Glendaruel, 3/4 and Bloody Lochanside, of Fields Magersfontein, Fland… king John MacLellan Dunoon Dream🔒

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About this tune

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personal Dream of to wrote Dunoon of lush, structure in itself permanent John simple Western one of Lochanside a march valley 3/4 who once the of from on Flanders hill MacLellan by part play in of learned. is a composed repertoire with the picturesque The and 3/4 that Scotland. — Bloody Valley easy favorites: a the peninsula but retreat marches. just over beautiful, Cowal The some Dunoon, well, my Fields two-parted your great It's of Glendaruel melody a elegant is not also becomes Glendaruel classic

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tie.” you the like high length to “When of ignore of that a the out on that, get it instead and clap guessing tie just G,

the an previous be embellishments with start.” into “Those beat early — get encroach beat don't right precision, played to the note need on to

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📜 Transcript

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00:06but very great really Really, 3/4 tune easy, two-parted Glendaruel not tune, a march and my a retreat simple and a of Valley simple a is MacLellan melody favorites, written beautiful. John

00:57and a beats with quarter even per eighth a gets the we've The so combo, long-short, as are: bar. we the dot-cut notes range It's note to 3/4 like a then whole

01:54Now on the we've you're playing three-and. three, third put because So be not So three-and. it drop one-and-two, anything you actually and beat. a in, just the got tie three-and, one-and-two,

03:29a hang very first again, like couple listen notes of I the throw, into very part note and how to got D my at that embellishments. on we've play long I'll the

04:57the D, — just The you second So beat, for until where that's on high you're a the gracenote foot that and previous it's hits like in. then put still doubling right

06:12early he's the and of He's being it the so perfectly F lines to that but doubling, not up really on musical just for everything F expressive conscious beats. not the holding

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