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Home/Tunes/Cork Hill
🎵 Tune DownloadIntermediateFree PreviewJig

Cork Hill

The Short Version

GDEs Are the Building Block Cork Hill is loaded with GDE gracenote combinations, common in 6/8 jigs — use this tune to build consistency and control, keeping the three gracenotes small, even, and equally spaced.
Give the Quarter Note Its Full Value The recurring quarter-note-eighth-note pattern only sounds right when the quarter note gets exactly twice the length of the eighth note — overholding it is a common fault that ruins the tune's flow and drive.
Choose the Heavy Strike for Consistency The D strikes in parts three and four could be played light (just the C finger) or heavy (all the way to low G) — I recommend the heavy version throughout, to match the tune's other low G strikes.
🎧 Full Recorded Lesson with Jori ChisholmMy complete note-by-note lesson on this tune — members only, no free sample 🔒 Members
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⏱️ In this lesson

00:04A Jig Introduction: Competition Popular🔒
00:26Jig Block Playing The of GDEs: Building🔒
02:27Low-G on The Strike C🔒
03:10The Quarter Pattern Note Note-Eighth🔒
04:26Using to Note Metronome a Lengths In Lock🔒
04:56The Closing Doubling C🔒
05:35in Avoiding Two Part Noises Crossing🔒
06:24Parts Four Three Strikes and in🔒
08:12Gradual Recap: Steady Fingering, Clean Beat, Tempo🔒

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🎬 Every class moment about this tune

Every time Cork Hill came up in a live class, with the moment I said it — click a timestamp and you land right there.

▶ 00:25:04Simply Lovelyyou at I first level. have jig often is Hill professional — played a tune it outgrow in Cork teach, I never and the competition the🔒
▶ 00:25:14Simply LovelyHill playing of win beer in with card. at tent found the solo the in Perth, steward Scotland: a The twice Cork then through first-place by story being first my🔒
▶ 00:26:09Simply Lovelywithout third patterns in runs, figure ten What GDE the parts, part, notes a an the and single work: fourth makes Cork and second Hill strike gracenote in arpeggio…🔒
▶ 00:43:03Me Anything AskCork tunes A-centered like same rhythm, jigs — Leather perfect and Hill between B completely Paddy's Breeches flavor. rare are sandwich different like middles🔒
▶ 00:14:19Practice — 2024 27, Chanter Session Augustthe of a first the a dot of drive slight of Hill: at on dot dead A Cork note quarter — the is it most tune. triplet even. emphasis loses play a full a🔒
▶ 00:19:54Tune & Understanding Strathspeys, Reels More Types: Marches,and first in live 9/8, and it. triplets are Cork dots even you Jigs outgrow often with never teach, 6/8, — Hill and cuts I gone. the is jig 12/8 the🔒

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About this tune

🔒 The write-up and the quotes from this tune are part of the members’ page.

of to hallmark and but levels three-note for through great upper learning triplet way GDE of how that groupings 6/8 a a in Hill combinations, rhythm, it tune naturally makes It's movement. consistency writing jig, the building of is control often 6/8 gracenote because built popular around Cork solo competition. pipers appropriate fit four-parted heavily all which the given jigs beginner first a the jig

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this good of nice “The so a good note, of flow drive beat eighth nice note of playing the sense steady and is to a quarter rhythm, length it's a the jig a secret throughout.” against and expression steady got
“Anytime same to that's very note, you've common rush got where a coming doubling it's spot ahead.” a the from
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📜 Transcript

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00:04in to a competition. jig that Cork time levels Hill given tune beginner first be a all learning the who but competition. solo way often played through of jigs, pipers is is
01:39like slow you're and your So nice GDEs, them when So and the first keep part small. sound the gracenotes working keep controlled, something might and this. on
03:27and much players, should drive with even it the — ruins properly that overhold they it and then and a beginning jig eighth A than is executed get forces common advanced flow
05:13and coming note, don't third for got the Make your where the doubling its strike, a start after And that it. the C give C value, anytime next to right you've very
06:58in I low and bar D this G then we way nice want to strike hand two three a is strike. strike, have the be and fingers close bottom — for D
08:52with build all beat, and gradually tempo. rhythms, slow and as out tunes, your So start steady fingering. consistent clean your And up
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