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Home/Tunes/The Blue Bells of Scotland
🎵 Tune DownloadBeginnerFree Preview4/4 March

The Blue Bells of Scotland

The Short Version

Strong, Simple 4/4 Rhythm The Blue Bells of Scotland has four beats per bar and lots of repetition — three of its four lines are nearly identical — so the focus is on giving every note its exact rhythmic value.
Time Your Embellishments to the Beat The birl in bar four, the F strike in bar one, and the half doubling from high A in the second part all need to start right on the beat, not early.
Clean but Not Overplayed Grips and D throws in the third bar should be clean and clear, but kept concise rather than played too big, so they stay musical.
🎧 Full Recorded Lesson with Jori ChisholmMy complete note-by-note lesson on this tune — members only, no free sample 🔒 Members
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⏱️ In this lesson

00:004/4 A Strong, Introduction: Simple🔒
00:21Repetition Built-In Lines the Across🔒
00:57the Four Bar Timing in Birl🔒
01:15High F Strike G The to🔒
01:31Half High from The A Doubling🔒
02:47and Grips Clean Throws D🔒
03:51Piece A Trivia: Arthur Pryor's Trombone of Bit🔒

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About this tune

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should one a a ends, and tune how of 4/4 first, makes reinforcing tune a feel. are the for It's lot lines The simple, except Scotland great march two-part relatively fundamentals. Blue with Bells of each is built-in a for well-known timing repetition: played last which with identical four-beat be strong, almost a that steady rhythm it second, and

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low the begin “So your third long that first when the foot A and sure holding keeping half ground, you're that make hits tapping when birl.” until note and your beat, then foot beat, your the you're
it that “You so sound.” ripple concise a but D want nice and clean has nice grip...
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📜 Transcript

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00:00The strong note gets a So of a rhythm. bar, parts, case would this notes have with a be played two is get in where march should four 4/4 In two a
00:57the when your fourth ground, that keeping and sure bar the first of when foot third right and your not birl. the low earlier. beat, make the hits example, you're foot begin
01:15would ahead play play gracenote, the where in pipers you to be first it — look often only the high that Another an F written F it's like G could a way
02:27high of on third your the A practice for beat, the and to doubling hold two full so doubling full Nevertheless sure the start half high on A give A beat. You
02:47you bar, those One you lots hear starts the to big, want third unmusical. watch played to the grips it for to every so of gracenote sound play You you've because thing
03:51piece piece. Arthur for this you: by trivia was laid particularly just which have trombone trombone who trombone have this variations He's written of that to the accepted solo tune. basic for
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