Humidity control replaces almost all reed manipulation. Store every reed at 84% in a Tone Protector (75% in the reed case) and the old chaos of licking, pinching, soaking, and scraping disappears. A dry reed tells you nothing; stabilize it first, then judge it.
The mouth blow test tells you almost everything. A good reed makes a clear first tone that kicks into a second tone as you blow harder. If it does that at the strength you like, it will sound good in the chanter; if it only screeches, no trick will make it a great reed.
Only three interventions survive: sand, band, or poke. A scratchy reed gets a light sanding at the very tips to free the vibration. A too-hard reed gets a doubled elastic band below the ridge, fully reversible. A too-easy reed gets a gentle poke to spread the blades. That is the whole toolkit.
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Chanter Reed Solutions: Diagnose & Fix All of Your Chanter Reed Problems
1h 3m · Full class available to Inner Circle members
02:24Walsh, reeds: and chanter Warnock, Practice care🔒
05:20cane rules What why everything and moisture is🔒
07:52retired and licking ritual: pinching, old The🔒
12:00is the humidity 84% sweet spot Why🔒
17:27reed: staples brass and copper a Inside🔒
18:11work: lifespan salt How packets and the chemistry🔒
23:32vs. molded designs Ridge-cut reed🔒
26:37story The reed Foundation🔒
28:10want the sound The you blow mouth test:🔒
30:34fix, on reeds demonstrated sandpaper The junk🔒
35:21razor reeds kill Why slicing scraping and🔒
38:17The is bridle that reed too for a hard elastic🔒
47:22A: High not crow texture,🔒
54:47easy that a is reed Poking too🔒
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About this class
🔒 The write-up and the quotes from this class are part of the members’ page.
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