👍 The Thumb Doubling
Every doubling played from high G needs the thumb — plus the two doublings, high G and high A, that break the classic pattern outright.
⚡ The Short Version
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About the thumb doubling
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✅ The essentials
⭐ Essential Highlights
“We have our three primary gracenotes, the G, D, and E. And then the next gracenote, in terms of prominence, the fourth most prominent gracenote, would be the thumb gracenote. Sometimes we call it a high A gracenote, and we also call it a thumb gracenote. What it is, is a gracenote that you play with your thumb on the top hole. High G gracenotes work for F and down, but when you're on high G, you need the thumb.”▶ 09:48 · Mastering Your Top Hand
“Now, if we're going to play an F doubling from high G, we introduce the thumb gracenote. All these doublings from high G will have that thumb gracenote there, because the fact that you're coming from high G makes it impossible to play a normal high G gracenote, so we have to add the thumb. So it's very, very important that your baseline level of pressure in your thumb is as low as it can be.”▶ 31:33 · Mastering Your Top Hand
“The thumb gracenote — the high A gracenote — is when you go between some note and high G. When you do that thumb gracenote, your whole hand's off for just a second. So let's just try that: low A to high G with the thumb gracenote. And then B. And then C.”▶ 16:24 · Focus on the Top Hand: Speed, Control, and Fluidity
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Why the thumb takes over on high G
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Building the thumb doubling: doublings played from high G
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The high G doubling and high A doubling: the two that break the pattern
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Keeping it tiny: technique, drills, and where it shows up
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