〰️ The Edre
One of piobaireachd's most important moves — two gracenotes on low A, projected out, then resolving to an E.
⚡ The Short Version
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About the edre
that rather A The B A first else, are than players Get piobaireachd, one the almost notes E low C, sound played the low an to any coming and edre of theme — first you're can run a note an like that living the A's — at and piobaireachd and from underneath is new be somewhere the always most grace low two proportions E note one but its grace to always not rushed, into. the E, it if resolves of an end. grace F note, grace and then a notes note, every low of projected the out the A time: in in grace that the shape important note, moves notes It with grace themselves. in from or same is
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✅ The essentials
⭐ Essential Highlights
“Let's talk about the edre. This is one of the most important moves in piobaireachd. The edre is an embellishment that can be played from almost any note. The theme notes of the embellishment are low A, and the note at the end of the embellishment is an E. You're on low A: E gracenote, F gracenote, projecting those two low A's out, and then you play E at the end of it.”▶ 44:38 · Piobaireachd Embellishments
“It is not rushed — those are the same notes, but then the proportions are all off. It's all about the low A sound: gracenote, gracenote, E. Don't think E-F; think E gracenote, F gracenote, and then play the E. The key thing is to get those gracenotes tiny.”▶ 45:48 · Piobaireachd Embellishments
“There is a movement that is similar to the edre, but we move everything up a note. Instead of E and F gracenotes on a low A, we lift this finger up and do F and G on an E — that's like an E doubling but backward. I always learned this embellishment as the cheri, but in the books it's dare, pronounced dari.”▶ 47:06 · Piobaireachd Embellishments
“high the that Some of the G; another And end word G G. true low movement, go going G. exact call you the high the of instead movement, to goes version the you I that, to play on embari. at high E starts to people that is that If there's throw but think just but to of”▶ 49:26 · Piobaireachd Embellishments
“C, in you — the hand A it. bottom mentioned: haven't mach do a this other an but little is has C, edre crunluath I As you edre. open on are low Normally edre, usually when for go C it's in C, an that a your thing entire case, you keep from notes low your But and a this proper the edre. open those in grip, One edre”▶ 24:48 · June Practice Chanter Session
“you're when proper to of a get so E, final embellishment. you E You that's E at don't at it embellishment. have bottom that you close hand, at you're keep end close that the of that it on do the when your end You on close to the end. the open bottom end the you — very hand When at”▶ 26:28 · June Practice Chanter Session
“give you've one first odro. edre. in on hour edre okay, is whole like, gotten the you the The — got three sometimes well, an the now note we've on where hour we've notes. — is odro gone see their — this that's piobaireachd, second now spend Now is to minutes that lesson your and You the got an ten next an student half and piobaireachd,”▶ 18:50 · Creating Custom Practice Drills
“can a be apparent beautiful. how And said, grip very variations and an grounds your Andrew an earlier take embellishment in you piobaireachd, can piobaireachd it Wright be can or — — in edre in your really that it's and beautiful.”▶ 52:20 · May Practice Chanter Session
What the edre is: two low A's into an E
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The edre family: dari and embari
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The open edre in the crunluath a mach
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Where the edre shows up — and why beginners start without it
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