The dot-cut rhythmic pattern comes up constantly in pipe music. It's been featured here in the Inner Circle several times (in a lesson called The Dot-Cut and in several other posts) and most...
To follow up on our recent discussion of the Darado, let's take a look at the four-parted competition-style strathspey Susan MacLeod. A few years ago, I was asked by Pipes|Drums magazine to be a...
The number of notes and embellishments we use in pipes tunes is quite limited. We have: 9 notes grace notes and strikes 9 doublings (one for each note) 4 bottom hand, Low G based movements: grip,...
Today's exercise features some intermediate to advanced level rhythmic patterns commonly found in 2/4 Marches, Strathspeys, and Reel. I hope you'll find lots of areas for potential improvement —...
Today you have the opportunity to post your recordings. Why? To share your music with others and receive some helpful feedback in the spirit of positive collaboration. Also, you'll have the...
Today's exercise focuses on one of the piper's most feared note combinations: The Tachum. The tachum is generally defined as a D grace note from one note going down to the next note. Most often...
Here's the complete video of my recent performance in Canberra, Australia. The concert was part of a weekend festival organized by the Canberra College of Piping and has grown to one of the biggest...
Today's exercise focuses on strikes in jig time. Strikes are reverse grace notes. Instead of quickly lifting a finger (as in grace notes), the strike is the quick tapping or striking of a finger or...
Recently I taught at a weekend piping workshop in Canberra, Australia. Here is a 90 minute recording of the first class I taught to the intermediate piping class. The featured tune was the 2/4...
Today's exercise focuses on Doublings from High A and High G. Previously, we've discussed the perfect doubling and we've worked on getting clean, strong, and rhythmically consistent doublings....
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