The dot-cut rhythmic pattern comes up constantly in pipe music. It's been featured here in the Inner Circle several times (in a lesson called The Dot-Cut and in several other posts) and most...
The number of notes and embellishments we use in pipes tunes is quite limited. We have: 9 notes grace notes and strikes 9 doublings (one for each note) 4 bottom hand, Low G based movements: grip,...
One of the most prominent features of pipe music is the dot-cut rhythmic pattern. Almost every type of pipe music has lots of dot-cuts. The exceptions are jigs and round reels and round hornpipes....
Your thumb on your the bottom hand is the only finger we use for piping that doesn't have a hole to indicate the proper position. As a result, it is important to make sure your thumb is in the...
Today's exercise features some intermediate to advanced level rhythmic patterns commonly found in 2/4 Marches, Strathspeys, and Reel. I hope you'll find lots of areas for potential improvement —...
The magical paperclip. Good for so many things other than just holding together sheets of paper. Previously, we've talked about the value of keeping your hands loose and keeping your fingers close to...
Today's exercise focuses on one of the piper's most feared note combinations: The Tachum. The tachum is generally defined as a D grace note from one note going down to the next note. Most often...
Today's exercise focuses on strikes in jig time. Strikes are reverse grace notes. Instead of quickly lifting a finger (as in grace notes), the strike is the quick tapping or striking of a finger or...
Recently I taught at a weekend piping workshop in Canberra, Australia. Here is a 90 minute recording of the first class I taught to the intermediate piping class. The featured tune was the 2/4...
Today's exercise focuses on Doublings from High A and High G. Previously, we've discussed the perfect doubling and we've worked on getting clean, strong, and rhythmically consistent doublings....
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