It's the 21st of August, so let's do something fun: Twenty-one for Twenty first! Here are 21 objectives for today's practice: 1. Play 21 Power GDEs from each note 2. Play 21 E Doublings from F 3....
I've taught pipers of all ages and all ability levels from around the world. One feature of bagpipe music continues to be challenge for all of us: the dot-cut. In the early stages, pipers struggle to...
The dot-cut rhythmic pattern comes up constantly in pipe music. It's been featured here in the Inner Circle several times (in a lesson called The Dot-Cut and in several other posts) and most...
The number of notes and embellishments we use in pipes tunes is quite limited. We have: 9 notes grace notes and strikes 9 doublings (one for each note) 4 bottom hand, Low G based movements: grip,...
One of the most prominent features of pipe music is the dot-cut rhythmic pattern. Almost every type of pipe music has lots of dot-cuts. The exceptions are jigs and round reels and round hornpipes....
Your thumb on your the bottom hand is the only finger we use for piping that doesn't have a hole to indicate the proper position. As a result, it is important to make sure your thumb is in the...
Today's exercise features some intermediate to advanced level rhythmic patterns commonly found in 2/4 Marches, Strathspeys, and Reel. I hope you'll find lots of areas for potential improvement —...
Today's exercise focuses on one of the piper's most feared note combinations: The Tachum. The tachum is generally defined as a D grace note from one note going down to the next note. Most often...
Today's exercise focuses on strikes in jig time. Strikes are reverse grace notes. Instead of quickly lifting a finger (as in grace notes), the strike is the quick tapping or striking of a finger or...
Today's exercise focuses on Doublings from High A and High G. Previously, we've discussed the perfect doubling and we've worked on getting clean, strong, and rhythmically consistent doublings....
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